


Linda Blair fractured her spine during the scene in which the bed tosses her around, a cut that made it into the final film.

Filming was delayed another two weeks when a key prop – the statue of Pazuzu for the opening scene – was shipped to the wrong country.Įllen Burstyn injured her back and broke her tailbone when a crew member pulled her harness too hard during a scene in which her character is thrown. Production was delayed by 6 weeks after a bird flew into an electrical box which caused a fire and burnt down most of the film’s New York sets. It was originally scheduled for 105 days, but took more than 200 to complete. The meeting, and this fact, helped to convince Friedkin to cast her.īut the real problems happened during production. When the other options didn’t pan out, Freidkin agreed to meet with Burstyn who revealed that she wanted the role because of her own personal falling out with the catholic church. The studio didn’t want to hire her either, with studio head Ted Ashley adamantly opposing the hire. Friedkin ignored her, but she kept calling telling him that he would come around to her. Eventually the director received a call from Ellen Burstyn requesting the role, but the studio didn’t want to cast her. The studio and director William Friedkin were not able to receive a suitable commitment on their first few options for portraying the lead female character Chris MacNeil. Once the film was greenlit, there were issues with casting. The dog refused to sit on the bed and Calley said the novel grew hot to the touch. Calley had been reading the novel in bed when his dog became frightened. Eventually he had success with producer Paul Monash, who was interested in the novel but only because of a frightening experience recounted by Warner Brothers head John Calley. The writer of the novel (William Blatty) on which the film is based had been trying to sell the rights to several studios, but had difficulty because he refused to give up producer credits as part of the deal. Suspicious occurrences related to the making of The Exorcist began before production even started. So prepare yourself because unlike the terrifying stories told by these films, the gruesome stories OF these films are 100% real…. Likewise, the production issues faced by these films became widely known, and have since impacted the interest and legacies of these films. These films didn’t just have trouble finishing their films because of production complexities/cost overruns they had to navigate considerably difficult and even deadly circumstances.
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You could even go so far as to consider that the most troublesome productions are cursed, an extension of the topics they chose to depict on screen.īelow I have described five of the most terrifying horror movie productions so far. While films of all genres have had production difficulties, it is not easy to dismiss the connections the most troubled horror productions have had when you consider the subject matter of the film itself. However, there have been many documented cases of unnerving and downright tragic occurrences happening to horror films during and after production has completed. Whether realistic or not, filmmakers have been able to effectively utilize classic horror elements to invoke fear in even the most skeptical audiences. The stories behind these terrifying entities are often passed down through folktales from generation to generation, or inspired by actual real-life experiences.
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Satanic cults, deranged serial killers, haunted houses, and tormented spirits are just some of the subjects that are traditionally common in horror films. This is a look at 5 horror films whose terrifying subject matter was not constrained to what you see onscreen. There are no shortages of films with troubled productions, but some had a much more difficult time than others.
